The Sinclair Alana Princess Seam Dress

Don’t you just love princess seam dresses? The curves fit your curves, you get the opportunity to color-block and really personalize your fit, and best of all, it’s truly a universally flattering style!

I was excited when Sinclair Patterns posted the tester call for this pattern and quickly applied to test. I enjoy testing patterns for a few reasons: it gives me a deadline and focus for my sewing (especially helpful if you’re in a sewing slump); it’s an opportunity to learn or try different techniques or finishes; you get to provide input on how a pattern fits on different bodies and body shapes; and of course you get to play with a new pattern!

The Alana Princess Seam Dress has gently flared skirt which accentuates (or gives the illusion of) an hourglass figure, and, it has pockets!

It’s not often that a knit dress includes pockets, because of course knits stretch. Pockets can become distorted or cause unflattering lumps and bumps when “hidden” in a side seam. But the Alana pockets are integrated into the design, and the tutorial provides instructions for stabilizing the pocket opening so they don’t get all droopy and ugly.

Obviously, fabric choice is going to affect the look and fit of any pattern. A higher Lycra or spandex content is going to give a firmer fit and more “hold”. A softer knit is going to give more drape. This dress was made with coordinating Art Gallery Fabrics cotton Lycra prints.

Because the AGF cotton Lycra has excellent 4-way stretch, I laid the front and back center panel pattern pieces cross grain to give me vertical stripes. And I was super careful when laying out the side front and side back pieces so that the stripes would align down the side seams.

What was I thinking when I decided to use a striped fabric on a time-sensitive garment? \_O_/ Hahahahahaha! If you want perfectly matched stripes, you have to take the time to do lots and lots of pinning to keep everything aligned when you sew!

Sinclair Patterns are somewhat unique in the .pdf pattern world, as they include short, average, and tall pattern options. Most of my height is in my legs, but I am also longer than average from shoulder to bust point. So I use the tall pattern from the shoulder through the armscye, and the regular pattern for the balance of the dress. Have you ever noticed a ready to wear (or sewn by you) top or dress cutting up into your armpits and creating wrinkles? Well, you probably need a deeper armscye.

Do you notice wrinkles on the side of the bust radiating out to the side seams? And sometimes a big wrinkle above the bust going out to the side seam? That tells you that there isn’t enough room for your bust in that top or dress. Simply using a larger size isn’t the solution, as then the top will be too large in the shoulder and neckline area. What you are likely to need is an adjustment in the bust area. There are plenty of full bust adjustment tutorials and videos online, and they generally do a good job of solving the problem. It’s a little different on a princess seam pattern, and there are princess seam FBA tutorials online too.

But for me, I really only need extra width specifically at the bust area, basically, some bust projection room. To personalize the pattern, I literally drew a C-shaped extension on the front side panels at the bust level. At its widest point, the C extension is about 3/4″ wide. I don’t need extra width at the top of or under the bust, so this type of adjustment is perfect for my body and bustline.

It adds space for the bust, but no extra fullness above or bagginess below the bust. It’s amazing how one small change can make a pattern fit so well.

So, was there anything that I disliked about the pattern or tutorial? I am not a big fan of the neckline facing. I get the point of it, and really like the idea of a clean finish. If I were using a more structured or thicker fabric, it would be a great finish. But if your fabric is a little more stretchy, or lighter, or at all sheer, I don’t like that I can see it through my main fabric. It’s also more time consuming than a simple bound neckline would have been.

In the future, I’m likely to just do a binding at the neckline. It’s quick and easy, and hey, any excuse to cover-stitch is good for me! 🙂

If you’re looking for a fun princess dress pattern, give the Alana Dress a spin! You can color-block, go solid, or use coordinating prints. There are high or scoop neck options, it can be sleeveless or have short, 3/4 or long sleeves, and the dress can be short or knee length, and the pockets are optional. This is a pattern I will use again and I love the comfortable fit. If you don’t use stripes, it’s a pretty quick sew! 🙂

The details: I used the scoop neckline, shorter length, and of course, pockets! The fabric is Art Gallery Fabrics cotton Lycra, purchased from my local sewing shop. AGF is available from online shops and may be carried at local independent sewing shops.

Ready For Some Cute New Shorts?

Stitch Upon A Time Midsummer Pants, Capris, and Shorts

When the tester call for the Stitch Upon A Time Midsummer Pants, Capris, and Shorts came out, I was quick to respond as soon as I saw the line drawings.  Being a Florida girl, I wear shorts eleven months out of the year, and I needed these shorts in my life!

It’s surprising how much the shorts appealed to me, considering that pretty much all my shorts are a variation of slim fit jogger style.  I’m a Grandma.  I don’t wear shortie shorts. But the wrap-around running shorts look is just so fun!  So I expanded my horizons and tried a whole brand new look, and I love it!

midsummer cat front

The curved edges give a sporty look that accentuates your legs.  And they can be wrapped to the front or the back.

midsummer cat back

My favorite pair were made with an Art Gallery Fabrics cotton lycra knit.  The softness of the AGF fabric gives it a nice drape, better than what you would get for an average cotton lycra.

midsummer cat hip

I also made a pair using nylon spandex tricot.  The quick drying fabric would make them perfect for throwing on over a swimsuit.  And they’re great for those beach walks when you might wander into the water because it’s so hot!

midsummer teal front

Fabric choice makes a difference in the fit.  Because nylon spandex has a lot of recovery, the waistband will try to migrate to the narrowest part of your body.  My natural waist is much higher than my belly button, so I think I’ll hack a higher waistband the next time I use this fabric.

midsummer teal back

I like that the shorts give decent booty coverage, while still looking sexy.  The shorts are a quick sew, even including cover-stitching the curved hem.  Seriously!  Center front seam, center back seam, crotch seam, hem, baste, and add the waistband.

midsummer teal full

Which brings me to my sewing tips for the Midsummer Shorts.  I like to up the differential to 1.3 while using a 4 thread overlock on the edge of the hem.  This helps keep knits from stretching out, and makes getting a smooth curved hem a little easier by slightly easing the curve.  Then when you fold it up, you don’t end up with a bumpy hem and it’s easy to top or cover-stitch.  I also recommend top-stitching the wrap over section  for about 4 inches down, starting at the waistband.  This helps keep the wrap flat and in place whether you run or kick or stretch.

Are you ready to try a new look?  Even if you’re not a shorts wearer, I can foresee some soft comfy lounge pant or capris for bumming around town.

Get the look:  the Midsummer Pants, Capris and shorts pattern.

The emerald rayon spandex for the Aushui Tank was purchased from Phee Fabrics.  You can read more about the Aushui Tank (including a fun hack!) here.  The Art Gallery Le Tigre fabric was purchased from my local sewing store, but Stitch Upon A Time and Phee Fabrics both carry a selection of Art Gallery Fabrics cotton lycra knits.

The Titania Tunic was made with white circular knit and I used powernet in the shelf bra.   You can read more about the Titania Tunic, and my workout top hack here.  The teal shorts are nylon spandex tricot.

So, are you ready for some cute new shorts (or capris, or pants)?

 

This post may contain affiliate links.  This means that at no extra cost to you, I may receive a small commission if you purchase through my link.  As always, I only give my honest opinion.  After all, it is my blog, which represents me! 🙂  Thank you for reading and sharing my love of sewing, patterns, and fabric. ❤

Lila & The LLK Kensington Dress

I did a bit of Christmas sewing, making microwavable bowl cozies for my Mom, siblings and family, and adult children, making a total of (I think) 22 cozies by the time I was done.

bowl cozies

We use our cozies all the time, whether cooking broccoli or oatmeal, or keeping our fingers from freezing while eating a banana split.  Not that we do that often, really! 😉

bowl micro

I also sewed a few things for Lila. ❤  I thought the Little Lizard King Kensington would be a cute dress, but I had to make a couple of alterations.  My daughter dislikes buttons.  She has disliked them since childhood.  Which presented quite a challenge when trying to find the collared shirts required at their elementary school!  (I didn’t have time to do much sewing back then).  So, she didn’t want Lila’s dress to have buttons.  Which meant I had to alter the pattern to use a zipper.  It wasn’t really hard to do.  I just found the center point of the back overlap, and instead of using the button placket, I reduced the width of the bodice back to just having a 1/2″ seam allowance.  I had cut only one skirt panel the width of my 45″ fabric, and put the seam at center back.

This meant that rather than following the pattern tutorial, after attaching the collar and bodice lining at the neckline, the skirt had to be gathered and sewn to the bodice.  The zipper was installed (ending about 3″ down into the skirt).  Then the bodice lining, (which I had pulled up out of the way while installing the zipper) was sewn down into place.

LLK porch

The most challenging part of the pattern was the scalloped collar.  It wasn’t that it was hard to do, just very time consuming.  The scallops on a size 2 are rather tiny!  I took my time, and very carefully trimmed and clipped each scallop so that it would lay neatly when it was turned and pressed.

Another important consideration when using a fabric with an obvious pattern to it, like this Art Gallery Fabrics Evanescence Blackout, is to take your time when laying out your pattern pieces.  For a professional finished product, the design needs to line up and be evenly spaced.  Notice that the darker “stripe” going across the collar is the same on the left and right?  I also took care when cutting the skirt and bodice to ensure that the almost plaid-like design was evenly spaced where they meet at the waistline.  The print doesn’t have perfectly straight lines forming an even plaid.  It’s more of a pretty graphic design and loosely drawn and wavy grid pattern.  Although I tried to get the sleeves as perfectly aligned, the right sleeve lines up better than the left.  Oh well, perfection escapes me again!  Hahahahahaha!

At least my granddaughter is perfect, and perfectly adorable! 🙂

LLK yard full

And a bit of advice for photographing toddlers: always bring snacks.  Everybody is much happier when there is food in their tummy!

banana

Lila also got a rayon spandex dress, trimmed in stretch lace, hacked from the Ellie & Mac Grow With Me Pajamas.

LLK flat lay

I cut a strip of the stretch lace to half the width, and added it at the bodice to skirt seam line.  I shortened the skirt to make it dress length, and gently curved the hem so that it would hang nicely when on the body.  After gathering the lace (about 2-1/2″ yards worth), I zigzagged it onto the hem.  Lila likes the orchid color, and the soft, breezy comfort of the dress.

EM grow pj

It’s such a comfortable play dress, that she just didn’t want to stop swinging for photographs.

swing

It didn’t take long to whip up a couple of Made For Mermaids Hadley Hand-Tied Bows, and attach them to hair clips for a finishing touch.  Maybe I’ll make one of the larger bow sizes next time.  After all, Lila is a little southern belle!  😉

Hadley bow

She is also fun to sew for, and pretty much looks adorable in everything I make for her!  Now I need to sew up a couple more patterns for this sweet girl. ❤

The bowl cozies (link to tutorial here), Kensington dress, and bow, were all made with Art Gallery Fabrics 100% cotton purchased from Phee Fabrics.  The 13oz. rayon spandex was also purchased at Phee Fabrics.

Thank you for reading and sharing my love of sewing, fabric, patterns, and pattern hacking. ❤

How I “Prettied Up” A Play Dress

I love sewing clothes for my granddaughter!  First of all, since she’s a growing toddler, she always needs clothes.  Secondly, since children’s clothes are small, they’re generally a pretty quick sew. 😉 And thirdly, they usually don’t take too much fabric.  Sometimes I can get away with using the larger leftover scraps of fabric from previous sews, which is what I was able to do here.

I bought a yard of the Cozy French Terry from Phee Fabrics to make Lila some joggers and a cardigan.  They turned out cute, and she wore them the day we flew up to visit.  I had a bit of the French Terry left, and thought a sweatshirt dress with a woven skirt would make a cute, comfortable play dress.  It turns out that I didn’t have enough French Terry for the sleeves, so I turned to my trusty rayon spandex for the sleeves and neck band.  Remember my Made By Rae Washi Dress blogged here?  There was just enough of the Art Gallery Fabrics 100% Premium Cotton left from my dress to make the skirt.

The Stitch Upon A Time Wendybird Dress (aff link) recently jumped into my cart the last time they had a pattern sale, so I couldn’t wait to print out the pattern.  Since there was only enough of the Art Gallery cotton left to make an 11″ long by 45″ wide rectangular skirt, I lengthened the Wendybird bodice by 2″.  Although the skirt fabric is a floral, it’s not in overly girly colors, so I decided to “pretty up” the dress by adding a ruffled placket.

To make the placket, I cut a 1-3/4″w x 4″h center base out of rayon spandex.  The two inner rayon spandex ruffles are 1-3/4″w x 8″h.  The two outer AGF cotton ruffles are 2-3/4″w x 8″h.  The center French Terry ruffle is 3/4″w x 5″h.

WB placket pieces

To make the double ruffles, fold the outer cotton ruffles in half lengthwise, right sides together, and stitch along one short end.  Fold the inner rayon spandex ruffles in half lengthwise, right sides together, and stitch along one short end.  Clip the corners, being careful to not cut through the stitching line, turn the ruffles right sides out and press.  Lay an inner ruffle on top of an outer ruffle with the cut sides and finished ends aligned.  Sew a long basting stitch with a 1/4″ seam allowance, and pull the bobbin thread to gather the ruffles.  Repeat with the other double ruffle.

Fold the bottom edge of the center base under 1/4″ and baste or use Wash Away Wonder tape to keep the fold in place.  Lay a double ruffle on the center base right sides together, with the finished edge of the ruffle toward the bottom.  Stitch along the side with a 3/8″ seam allowance.  Press the ruffle to the outside and repeat with the other double ruffle.

Next we add the center ruffle.  Because the French Terry won’t fray,  the edges are left raw.  Run a basting stitch down the middle of the center ruffle, and gather it to fit the placket base.  Keeping the center ruffle 3/8″ away from the top, zig zag down the center of the ruffle to stitch it in place.

Mark the center front of the bodice with a pin.  Use tailor’s chalk, or a washable fabric marker to mark the ruffle placket placement, which should be a rectangle 1″ wide by 4″ high.

WB mark

Line the ruffle placket up at the top of the neckline and with the markings, and top-stitch around the center base to secure it to the bodice.  Baste the unfinished edges of the double ruffles in place at the neckline.  Sew on the neckband as per the pattern directions, being sure to catch the top of the double ruffles and placket in the band.

WB placket

To make the skirt, cut two 11″h x 22-1/2″w (I would have preferred 12 or 13″ high, but that was all the fabric that I had!) panels out of the AGF cotton.  Place the panels right sides together and stitch along the side seams.  Press the bottom up 1/2″, and another 1/2″ and stitch the hem.  You can run a long basting stitch around the top of the skirt to gather it, but since it’s being sewn onto a knit bodice, I like using cotton swim elastic to gather.  Measure the bottom of the bodice, and cut the elastic to that length.  Overlap the ends of the elastic 3/4″ and zigzag to form a loop.  Use a pencil to mark the quarter points of the elastic.  Mark the centers of the skirt front and back, and they and the side seams will be the quarter points of the skirt.  Line up the quarter points of the elastic along the top of the skirt, and stretch the elastic to fit as you zigzag it in place.  It should gather the skirt to fit the bodice perfectly.

WB flat

With the skirt inside out, slide the bodice down inside the skirt, right sides together, matching side seams and center points.  Sew the bodice to the skirt, then give everything a good press.  Ta dah!  A simple play dress turns into a pretty, party-worthy dress!

Since Lila only recently turned two, she doesn’t attend a lot of parties.  But she is always ready to run and play outside, picking up sticks and leaves on her way to and from the park.

WB dress sticks

And I love that she is able to play outside in nature nearly every day.  I hope that she never forgets the joy and wonder of exploring, learning new things, and playing every day.

WB dress oh

WB dress up

When you’re done sewing, don’t forget to go for a walk, and enjoy the fresh air and sunshine.  Maybe you’ll find some sticks to play with too! 🙂

Thank you for reading and sharing my love of sewing, fabric, patterns, designing, and creating. ❤

 

Sew Simple Tote Tutorial

Whether you’re participating in a Secret Santa or handmade holiday gift exchange, or just want a useful tote bag to have on hand, I’ve got a simple tutorial for you.  If you’re a bag maker, you probably already have some wonderful patterns.  But if you’re like me, and only randomly make bags when the need arises, this idea should work for you.

I was originally going to use an old McCall’s Crafts pattern I had in my stash.  But once I started digging through the tissue paper pattern, trying to find all of the pieces for the view I wanted to make, (with my cat batting at and biting the tissue paper) I decided it was easier to make up my own pattern!  Since all of the pieces are rectangles, if you use a quilting ruler and rotary cutter and mat, you don’t need actual pattern pieces.

The tote bag is designed to be reversible, with a row of pockets on both the inside and outer side.  You can use all the same fabric, two (or more) coordinating fabrics, or just use an accent fabric for certain pieces like I did.  Here are the measurements for all of the pieces you will need:

  • 4@ 12″h x 15″w for the side panels (you can make two of them in coordinates if you’d like)
  • 4@ 12″h x 5″w for the end panels (again, two can be coordinating fabric)
  • 2@ 5″ x 15″ for the bottom (one can be a coordinate)
  • 1@ 12″h x 15″w for the outer pocket
  • 1@ 11″h x 15″w for the shorter inner pocket
  • 4@ 2″ x 24″ for the straps (two can be coordinates)
  • You will also cut all of the above out of interfacing, (a heavier weight is better at stiffening the bag)

tote pieces Phee

I used Art Gallery Fabrics 100% premium cotton, (the AGF canvas would also work great!), and stretch twill that I purchased from Phee Fabrics.  This print is called Botanists Essay, and it is one of my favorite prints.  The stretch twill is actually navy, though it almost looks black in my photos.  I like the simple contrast of the solid twill against the floral print.

The first step is ironing the interfacing to the wrong side of all your pieces.  Of course I ran out of iron-on interfacing and instead had to baste regular interfacing to my pieces. 😦  Let’s just say that iron-on works better. 🙂

The next step is making the pockets.  Fold the pocket pieces in half, wrong sides together so that they are still 15″ wide.  Lay the outer pocket on top of one of the side panels, lining it up with the bottom and sides.  Baste the pocket to the side panel along the bottom and sides.  To form pockets, measure over 8″ from the left hand side and stitch, being sure to tack at the top of the pocket.  Measure 5-1/4″ from the right hand side and stitch, again tacking at the top of the pocket.  These pockets are sized to work great for your phone, a pen, your keys, etc.

draw out pock

The inner pockets are made in a similar way.  Lay the inner pocket on top of a side panel, lining it up with the sides and the bottom.  Baste the pocket to the side panel along the sides and bottom.  Measure 5-1/2″ from each side and stitch, tacking at the top of the pockets.  These pockets are sized to hold a notepad or tissues, and perhaps some gum or snacks!  Feel free to adjust the pocket sizes to suit your needs.

draw in pock

Now it’s time to assemble the tote bag.  Lay an end panel on the outer pocket side panel, right sides together and stitch along the side seam, using a 1/2″ seam allowance.  Then line up another side panel with the long unsewn side of the end panel, and stitch.  Then line up the other end panel on that side panel, and stitch.  Finally, line up the edges of the end panel and the pocket side panel and sew them together so that you end up with a rectangular tube.

To assist with sewing the bottom onto the tote, I like to mark the four corners 1/2″ from the edges on the wrong side of the fabric.  Line the bottom piece up with the bottom of one of the side panels ensuring that the 1/2″ markings line up with the seams, and that they are right sides together.  Stitch, being sure to back stitch at both ends.

tote bottom pins

Rotate the bottom so that one of the short sides lines up with the end panel, and stitch from one 1/2″ mark to the next.  The marks should line up with the seams.  Then rotate the bag again to line up the other long edge of the bottom with the other side panel, matching the 1/2″ marks and seams, and stitch.  Finally, rotate one last time to line up the final short side of the bottom with the final end panel, and stitch.  Clip the corners, being sure to not cut through the stitching line.

tote bottom sewn

Repeat this process of sewing the sides and ends together, then adding the bag bottom with the “lining” or inner side of the bag.  Then it’s time to make the bag straps.

tote straps

I used contrasting fabric so that one side of the straps are floral, and the other side is solid.  Place the two strap pieces right sides together, and stitch the two long sides.  Repeat with the other two strap pieces, and turn both straps right sides out.  Press and top stitch the long edges of the straps.  Measure 3″ from the seam on the side panels and pin an end of the strap in place, lining up the ends of the strap with the top of the bag.  Stitch each end of the strap in place, being sure not to twist the strap.  Repeat with the second strap on the other side panel.

tote sew layers

It’s finally time to sew the inner and outer layers together.  Turn one bag inside out.  Place the other bag inside of it, so that they are right sides are together.  Ensure that the straps are safely tucked between the two layers, and pin along the top of the bag.  Stitch along the top of the bag, leaving a 2-3″ opening so that you can turn the bag right side out.  Once the bag is right sides out, press and top-stitch along the top edge.

You’ve got a handy dandy tote with three pockets on the outside.

tote pockets full

And three pockets on the inside.  (Since it’s reversible, it can also be flipped so that the inner pockets are on the outside.)

tote reversed

 

To add stability to the bottom of the bag, I needed a hard thin piece of plastic to stick in the bottom of the tote.  Originally, I considered sewing a piece of plastic canvas between the two bottom layers.  Apparently my local craft store no longer carries plastic canvas, so that idea was out.  My husband came up with a solution when he mentioned that he had a couple of plastic lids in the garage that didn’t match any of the storage bins.   After moving and reorganizing the garage, he threw away the cracked and broken bins, but had kept the lids.  So I drew a 4″ x 14″ rectangle on one of the lids, and cut it out with some tin snips (my husband likes tools, and almost always has the proper tool for the job on hand!)  I sanded the cut edges to ensure that they were smooth, and slid the plastic in place at the bottom of the tote.

tote inner pockets full

The plastic insert can be removed and wiped clean, and the tote can be thrown in the washer and dryer in case of a spill.  I always wash and dry my fabric before sewing, so I never have to worry whether anything will shrink after making it.

And there you have it!  A simple tutorial and a new tote bag to use or gift.  Once you’ve sewn a tote, you can always personalize the size and shape and pocket formation of the next one to suit your needs.

Thank you for reading and sharing my love of sewing, patterns, fabric, creating, and design. ❤

 

The Wonderful Woven Washi Dress

High quality fabric and quality finishes truly make the garment!

When Phee Fabrics started stocking Art Gallery Fabrics in 100% premium cotton OEKO-TEX certified fabric, I knew it was time to search for a new pattern.  I have a couple of woven dress patterns that I like, (blogged here and here) but they are quite similar, and I wanted something with a little more detail to showcase the pretty fabric.

One of my sewing friends who also likes dresses, suggested a few pattern companies to me.  She forewarned me that the patterns were not inexpensive, but felt that they were worth the money.  I scrolled through a few companies, and kept coming back to the Made By Rae Washi Dress.  The simple pleats, neck detail, and of course- pockets, spoke to me.

Whenever I get a new pattern (especially for wovens), I like to compare it to a pattern that I know fits me well, to see how similar or different the fit is.  Since wovens don’t have any give, making sure that you’ve got a good fit is very important!  Right away I could tell that this pattern was drafted for a much smaller cup size, so I knew I was going to have to do some work to get a perfect fit.  I traced the bodice and taped the dart together, and held it against my body to see how far off the fit was.  The dart ended up a couple of inches above my bust apex, and the bodice didn’t cover the bottom of my bust.  Sigh!

Washi bust

Since this is kind of a common issue for me with woven patterns, it wasn’t exactly unexpected.  I needed some length between the armscye and the dart, so the simple fix was slashing the bodice front and adding in a 1.5″ wide strip of waxed paper.  I also added 1.5″ length to the pattern back.

Washi pattern adj

I cut out a bodice front and the upper back of the pattern in some cheap fabric and basted it together to check my fit.  I decided another half inch added to the front at the shoulder seam would give me that extra little bit I needed, and cut into my good fabric.  I took some time with my pattern layout, because every sewist knows that if you’re working with a floral fabric, it’s nearly impossible to avoid having flowers on your bust.  And I wanted an intentional placement versus an awkward one! 🙂

The pattern tutorial suggests using interfacing on the front around the U-notch to help keep the corners laying smoothly.  Tracing around the stitch line gave me the perfect shape to iron on to the bodice front.

Washi interfacing

It also calls for facings at the front and back neckline, and bias trim along the armscyes. But a finished bodice lining is just so much nicer, and would also make it easy to stich a couple of lines 1/2″ apart across the back to make a casing for my elastic.  To make a bodice lining, cut another bodice front, and cut a bodice back by folding the pattern back 1/2″ below the bottom shirring line marking.  Sew the front and back linings together at the shoulder seams.  Sew the bodice front and dress back pieces together at the shoulder seams.  Place the lining over the dress, right sides together, and stitch around the neckline.  Clip the curves, turn right side out and press.

Then you will need to “burrito roll” the bodice to sew the armscyes.  If you’ve never done the “burrito roll” method, it’s almost magical how it works!  Basically you are rolling the garment up from one side, then flipping the opposite sides over and around (enclosing the rolled portion in the shoulder strap area) and stitching the armscye, then pulling it through.  There are plenty of video tutorials online if you are a visual learner.  Again you will clip the curves, turn the bodice right side out and press carefully.  Stitch the side seams and press.  Turn the bottom edge of the lining under 1/4″ and press.

You’re supposed to do 5 or 6 lines of shirring along the back, to give a nice fitted look.  Since shirring didn’t really sound fun, and wasn’t the look I was going for, I opted to use elastic in a casing.  Keeping your fabric smooth, stitch the bodice back lining to the dress back along the bottom two marked shirring lines.  This will give you the casing for the back elastic. To determine the proper length of elastic, measure your body around the bottom of the bodice.  Divide the measurement in two, and use 3/8″ wide cotton swimwear elastic, marked at that length.  Thread the elastic through, stitching it in place at both ends.  Then stitch the bodice front lining in place by stitching in the ditch along the front seam line.

The interior back bodice:

Washi int backThe interior front bodice:

Washi int front

Can you see why lining the bodice is worth the effort?  There is just something so satisfying about a garment that is as nicely finished on the inside as it is on the outside!  You can always feel proud about making a quality garment that will last!

Washi frontWashi back

I love my new dress!  And it has pockets!  It’s cool and comfortable, and can be layered under a jacket or cardigan for year round use.

Washi pocketsWashi down

Using a blind hem stitch on my sewing machine was the only way to do the hem.  It’s a nice deep hem, folded under an inch, zigzagged and pressed, then folded under another two inches.  It reminds me of the type of sewing my beloved grandmother used to do. ❤  High quality fabrics, quality finishes, and a nice deep hem.

Now that I’ve got my pattern perfected, I need to decide on some more Art Gallery Fabric so that I can make another dress!

 

This post may contain affiliate links.  This means that at no extra cost to you, I may receive a small commission/credit if you purchase through my link.  As always, I only give my honest opinion.  After all, it is my blog, which represents me! 🙂  Thank you for reading and sharing my love of sewing, patterns, fabric, and pattern hacking. ❤